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Category Archives: Performance Strategies
“C” is for “Connections”
I consider the concept of “Connections” as an overarching improv term that includes, but is not limited to, the similar tools of callbacks and reincorporations.
“C” is for “Conflict”
Is “Conflict” adding or subtracting from your improv work? Are there more fruitful ways to deploy this dramatic tool? Check out this 100th ImprovDr blog for some insights and possibilities.
“C” is for “Confession”
This entry explores one of the CAD trinity of revelations, the “Confession.”
“C” is for “Complementary Action”
It’s time to think about “Complementary Actions” and how they can add variety and possibilities when our improv is stagnating in a sea of sameness.
“C” is for “Commitment”
What are you committed to…?
“C” is for “Commenting”
Some improv schools embrace a playful form of “Commenting” but I’ve generally found that it deflates the energy of our scene work.
“C” is for “Comedy”
Consider the many faces of comedy in improvisation performance with “C” is for “Comedy.”
“C” is for “Cleverness”
What’s the difference between informed choices and being clever? Consider “C” is for “Cleverness.”
“C” is for “Character”
“C” is for “Character” offers some strategies for shaking yourself out of unhelpful patterns that might be restricting your work and play.
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