Here’s an effort to identify some of the common elements that make short-form what it is.
In search of richer improv building blocks? Here are some ways to craft and inspire your offers…
For such a widely used term in Western improv circles, it can be challenging to get your arms around an inclusive and helpful definition of “Long-Form” improvisation. Here’s an effort to do just that…
“New Choice” keeps you on your toes as a player while also modeling the immediacy and disposability of improvisational play.
Alphabetization aside, this should probably serve as the first entry in my “A” to “Z” series. Enjoy “I” is for “Improvisation.”
“Dramaturgical Improv” is a term I’ve started to use that describes a particular approach to spontaneous theatre that is near and dear to my own heart as a deviser and practitioner.
In celebration of wrapping up 200 original blogs, I’ve reached back into the ever-growing archive of posts and identified the ten entries with the widest reach.
Are you priming your scene work with strong specifics and CROW elements? If you’ve studied Spolin-derived approaches, you might know this as the WWW.
How can we best take care of our partners and our companies as we step into the unknown with each other?
“C” is for “Character” offers some strategies for shaking yourself out of unhelpful patterns that might be restricting your work and play.