Accessing and channeling our inner emotional truths is the artistic pursuit of a lifetime, but “E” is for “Emotional Truth” offers some bite-sized tactics to assist in this worthy endeavor.
Author Archives: improvdr
Game Library: “Verbal Freeze Tag”
“Verbal Freeze Tag” exercises helpful editing, listening and creativity skills.
“E” is for “Edits”
Edits come in many shapes and sizes. Here’s a working list of some options to help you craft and pace your improv action.
My First Improv Orientation: ImprOvientation
In 2005 I began a collaboration with the Office of Rollins Explorations designed to bring a fully improvised orientation show to the incoming class of students. We called the resulting format ImprOvientation. The production has become a campus mainstay. The title, on the other hand… no one ever uses.
Game Library: “Sequence Game”
The “Sequence Game” offers a way to brainstorm or refresh material before embarking on style-based or dramaturgically informed work.
“D” is for “Dramaturgical Improv”
“Dramaturgical Improv” is a term I’ve started to use that describes a particular approach to spontaneous theatre that is near and dear to my own heart as a deviser and practitioner.
Game Library: “Fantasy Scene”
Although the frame can seem a little complex at first glance, “Fantasy Scene” is well worth the time allowing a wonderful variety of tone and content.
“D” is for “Drama”
While it’s helpful to avoid drama backstage, the same isn’t true when we’re performing. “D” is for “Drama” reflects on the more serious side of improv.
Game Library: “Obstacle Race”
“Obstacle Race” features both opportunities for heightened physicality work (for the athletes) and sharp expert skills (for the commentators). On your mark, get set, go…
“D” is for “Discovery”
My consideration of the CAD trinity wraps up with a look at “D” is for “Discovery.” In addition to providing a great tool for scenic revelations, it also encourages well-developed scenic settings.
