“A” is for “Approval” considers some techniques for pursuing our own goals on the improv stage as opposed to seeking the (real or imagined) approval of others.
Category Archives: Performance Strategies
“A” is for “Ambiguity”
“A” is for “Ambiguity” – if the title is unclear, then read on…
“A” is for “Advancing”
“A” is for “Advancing” explores ways to develop and build the action in your scenes.
Game Library: “Beneath the Line”
“Beneath the Line” sharpens our scene starts and encourages us to closely pay attention to our scene partner.
“A” is for “Active Listening”
Here are some ideas to improve our ability to closely read our partner’s choices with “A” is for “Active Listening.”
“A” is for “Acting”
“A” is for “Acting” considers some scripted theatre techniques that are worthy of emulation in our work on the improv stage.
“A” is for “Accusation”
“A” is for “Accusation” serves as one of the CAD trinity that can help add fuel or dynamism to a scene that is stagnating.
A Peek Inside: (Your) Opera in a Trunk
Take a peek inside the training process behind (Your) Opera in a Trunk, an outreach show initially developed for Pensacola Opera. This entry includes the game “Justify Circle.”
“C” is for “Commandments”
This ImprovDr “Game Library” entry gathers and hyperlinks all ten commandments from my earlier series in the one helpful place.
“A” is for “Accepting”
Are you maximizing the potentials of your offers? Consider some options with “A” is for “Accepting.”
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